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Here’s What The Critics Say
About Splitsville...
“In today's sea of musical mediocrity floats at least
one buoy of hope: Splitsville.”
-Amplifier Magazine
“Incorporated is a complete and perfect
album that begs to be heard from start to finish.”
-BigO.com
“As a full-fledged quartet who tour regularly,
Splitsville is a tight band that isn't afraid to flaunt
their musical skills to great advantage. That they
manage to do so with such a level of consistently fine
song craft is the real wonder. Incorporated
not only is a fine addition to Splitsville's past canon,
it raises the musical bar even higher and ultimately
leaves you wanting more.”
-Fufkin.com (read the
full transcript at the bottom of this page)
“Splitsville’s lush melodies and harmonies don’t mess
around.”
-The Washington Post
“Splitsville is a DANGEROUS band!”
-Amplifier Magazine
“You gotta share music this good...”
-Crazewire.com
“A solid power-pop record if ever there was one…All that
really matters is that kids love it. Or they ought to,
anyway.”
- The Onion A/V Club
“A perfectly harmonized sound injected with a confident,
almost reckless spirit.”
“Sunny hooks, treble washes, simmering vocals, (and)
stratosphere-soaring guitar solos...”
-Baltimore City Paper
“A master work of the kind that combines efficiently
electric discharges of high voltage with melodies and
vocal harmonies of imperishable spirit.”
-IndyRock (Spain)
“This has the highest ratio of inescapable hooks and
unforgettable choruses than anything currently on the
radio.”
-CDreviews.com
“Can’t-get-them-out-of-your-head-for-days material.”
-Chart (Toronto)
“A delight.”
-alterEGO (Spain)
online reviews...
Amplifier Magazine
Baltimore City Paper (review)
Baltimore City Paper (article)
Gary Glauber's review from Fufkin.com (full
transcript below)
Mike Bennett's review from Fufkin.com
Kevin Mathews from BigO.com
Scott Homewoodd from CdReviews.com
Lee Zimmerman at South Florida's Entertainment News &
Views
'Album of the
Year' listings
Amplifier Magazine
Cherry Bombs (UK)
Power of Pop
Spanish tour and
CD reviews
Guia del Ocio
Murcia Rock
Europa Sur
El Estrecho
La Verdad
Gary Glauber reviews Incorporated...
February
2004
"It's a matter of
quality - with their fifth release Incorporated,
Splitsville has never been in a better space. Confident,
assured and able to transcend a variety of musical
styles, these are guys who know their stuff and deliver
it with a level of studio expertise that approaches fine
art. What's more is that they manage to retain the
atmosphere of fun that has always been their trademark.
This ten-track gem of an album grows on you, releasing
its diverse surprises and subtle hooks over the course
of repeated listens. At first listen, you might think
it's decent. By the tenth listen, you'll know it's
superb.
That is the musical magic perpetrated by veteran power
pop rockers Splitsville (formed out of the ashes of The
Greenberry Woods) in this, their latest and arguably
greatest yet.
The band has become a solid quartet with the addition of
talented guitarist/vocalist Tony Waddy. He joins the
seasoned lineup of the twin brothers Huseman (Matt on
guitar and lead vocals primarily, Brandt on drums,
percussion and vocals) and Paul Krysiak (bass, keyboards
and vocals), and the results are mighty fine.
Working again with producer Dave Nachodsky, Splitsville
assemble a set that covers a fairly good expanse of
musical styles (but perhaps not quite so wide a realm as
the selections found on 1998's Repeater) in a clean,
controlled way. There is nothing casual or happenstance
about this music - it's all well thought out and
expertly executed, from the nuances and leads to the
clever lyrics.
The opening track "White Dwarf" moves between
soft and hard, going from gently strummed opening guitar
and bass to the heavy driving chords that back most of
this spare lyrical contemplation of our cosmic
inadequacy in communicating our ideas, dreams and
spiritual aspects. There's a wonderful Tony Waddy guitar
lead in mid-song that grows before the singer's eventual
concession to keep his feet "on solid ground."
The infectious "Brink" finds Splitsville back in
familiar territory - rocking and having fun whilst
exploring the relationship between bands, their fans,
and musical choices. Brandt and Paul show why their
rhythm section is second to none, as Splitsville come
out against the fakery of other bands, and for music
that rocks and doesn't suck. My favorite parts here are
those that add subtle fun: a harmonic nod to Van Halen's
"Dance The Night Away" and the slight delay
before the word "delay."
"Heart Attack" is a strange hybrid that works
well. Blend the funk of Hendrix with imagery that
recalls John Cougar Mellencamp's heartland characters,
then mix it up with strong beats and delayed line
repeats and you'll get an approximation of the strange
energy that fuels this eclectic yet irrepressible song.
Once the song catches you, you'll be amazed at how many
elements work effectively as clever hooks.
"Headache" is about as catchy as any Fountains of
Wayne song, yet manages to take on the world's worries
and concerns, a ruined day hiding from the bad news
outside and stuck in a distant relationship and more -
well, it's more than enough to give anyone a headache
(and also gives a tip o' the hat to John Lennon's
"nothing's gonna change my world"). I also bet you'll
find yourself humming the backup "I know" vocals
inadvertently.
"The Next One" is a power ballad partly about a
desire to escape the nightmare of life's addictions
(drugs, alcohol) and the false hope that someone else
will turn one's ship around: "I'd do anything to get you
out of here / stained in chemicals / soaked in mother's
tears / faceless criminals are puncturing your skin /
life is pouring out / but love is rushing in."
Perhaps the prettiest track here is the Beatle-esque "Sasha,"
in which a friend offers consolation and advice to one
who runs away from the people who love her: "No one's
perfect / don't you know that this is part of the design
/ close your eyes and try to remember that everything
will be alright." Matt Huseman dishes up emotive vocals
to pop perfection, and a home tape recording "demo"
serves as poignant coda.
There's not a weak track among the ten. Everybody's
favorite state is the target of "California,"
portrayed here as the last mindless stop, a host of
natural disasters waiting to happen (fires in the San
Fernando Valley, tremors in San Francisco, etc.) - "Now
you're over, done, you're undermined / last cigarette on
the firing line / you're into the blue / you're out of
mind / now we have California." Check out the fine
harmonies (Splitsville always makes it sound easy), the
great leads and the excellent middle bridge. This is
power pop at its rocking best.
As these guys mature, there's a greater complexity in
much of the songwriting and arrangements. That's evident
here even on a somewhat somber adult ballad. "The
Mentalist" features a narrator dissatisfied with
life, used and not trusting, uncomfortable in his own
skin and wanting a second chance on life ("blissfully
ignorant and easily satisfied"), who comes to the
ultimate realization that "it's hard to be the strong
one."
Those aching for the post-punk fun of those early
Splitsville releases will find comfort in "Trouble."
It's the tale of the opinionated and wrong-headed Cathy
(who espouses nothing but trouble). Here again the fine
skills of the rhythm section are in evidence, from Paul
Krysiak's limber and smooth bass lines (and lead), to
Brandt Huseman's drumming.
The CD closes with a quiet relationship song that
manages to transcend the usual. "I Wish I Never Met
You" deals with the situation of the friend who
wishes he was more than that, and does so admirably
well. Here are some of the wonderful lyrics: "You never
show me the poetry you keep under your bed / the
sentimental stories and bitter words you wish you might
have said / that crawl up through the top sheet and
penetrate my sweet dreams 'til I'm the one that can't
sleep."
As a full-fledged quartet who tour regularly,
Splitsville is a tight band that isn't afraid to flaunt
their musical skills to great advantage. That they
manage to do so with such a level of consistently fine
songcraft is the real wonder. Then again, perhaps the
biggest mysteries are why they're not better known,
their music not wildly popular.
This superb album is extremely well put-together.
Incorporated is the product of a mature
confidence that's been earned over the years. It not
only is a fine addition to Splitsville's past canon, it
raises the musical bar even higher and ultimately leaves
you wanting more."
-Gary Glauber
Fufkin.com
"Pop has become a dirty word to anyone with more taste
than what’s in their mouth. It speaks volumes about
popular trends that cookie cutter mediocrity is
celebrated with riches and fame, never mentioning the
fast food wrapper toss-a-bility of it all. Enter in
Splitsville,
a nattily dressed quartet who redeem the word and make
you grin the same way obvious touchstones like Big Star
and the Beatles once did. That’s some big shoes being
jammed on their toes but
Splitsville
walks the walk just fine.
Over the course of six albums
they’ve honed things to a fine edge, something sharp and
direct, expressed in four-minute rides to Heaven.
“Sasha” and “The Mentalist” are the kind of songs you
make friends sit down and listen to. You gotta share
music this good. Hard, diamond tipped guitars
rattle as their full bore Eric Carmen-esque vocals glide
over honey melodies pricked with soft soul strut, fuzz
vocal yum and neat stops & turns. In a just radio
scheme, there’d be less of “Stacy’s Mom” and more
genuinely bright music with layers to reward your
incessant playing of it (which is a forgone conclusion
once you get a taste…). Their themes are smart & adult
as Steely Dan without having to be clever or cruel like
the Dan. Bassist/singer Paul Krysiak says, “But none of
them does it treat so gravely that you can’t have fun
listening.” Fun listening! What a fab concept and what a
fine band to deliver on it."
-Dennis Cook on Splitsville's Incorporated
Crazewire.com
Splitsville Virtual Promo Kit
printable biography
printable reviews
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